Latest news

(Updated 07-24-2017 )

Komische Oper Berlin

Maria is very excited about starting her second season as an ensemble member of the Komische Oper Berlin, where she will be performing the roles of Orest in Offenbachs Schöne Helena, Chava in a new Barrie Kosky production of Anatevka and Olga in Tchaikovksy's Onegin, among other roles.

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Tijl B op Volle Toeren

In March 2017, Maria was a guest on Dutch Televison program "Tijl B op Volle Toeren", where she met Popsinger Andre Hazes jr. The two singers had an insight in each other's lives, to find differences and similarities and hopefully bring both worlds together. Click on the link below to watch the episode.

TBOVT Full episode


To go into the Unknown

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Maria´s first solo album "To go into the unknown", together with pianist Peter Nilsson has officially been released by the new record label 7Mountain Records.

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"C'est Maria Fiselier qui l'interprète très juste dans son jeu à travers la salle et la scène et ancrée vocalement dans ses graves"

Ôlyrix, about the role of Emmy Perth in Marschner's Der Vampyr at the Grand Theâtre de Genève (November 2016).


"Maria Fiselier maakte grootse indruk met haar donker glanzende alt."

NRC Handelsblad, about the Mozart Requiem with "Het Residentie Orkest" conducted by Jan Willem deVriend (February 2017).


“Maria Fiselier has a lovely rich mezzo-soprano voice, evenly produced and her Suzuki was a miracle of discreet poise”

Planet Hugill, about the role of Suzuki at Opera Holland Park, June 2013


Dutch mezzo-soprano Maria Fiselier is considered one of Holland’s top emerging artists, praised for her “exceptionally warm, opulent voice, used with sensitivity”.

Her most recent highlights include Emmy in Marschner´s Der Vampyr, at the Grand Théâtre de Genève and Magdalene in Wagner's Die Meistersinger von Nürnberg, as well as Ottone in Moteverdi's Die Krönung der Poppea, both role debuts at the Komische Oper Berlin.

Highlights for the 2015/2016 season included the role of Marscha in Tchaikovsky's Pique Dame at the Dutch National Opera with Mariss Jansons conducting, zweite dame in Mozart's Zauberflöte at the Gran Teatre del Liceu and Mlle Dangeville in Cilea's Adriana Lecouvreur at La Monnaie Opera, conducted by Evelino Pidó

Maria is a member of the ensemble at the Komische Oper Berlin since 2016/2017 season, where she has been seen as Zweite Elfe in Rusalka, Mercedes in Bizet's Carmen, Katze/Eichhörnchen in Ravel's L'enfant et les sortileges and Sylvia/Proserpina in Monteverdi's Orpheus among other roles.

Her roles for the 17/18 season will include Orest in Offenbach's Die Schöne Helena, Chava in a new  Barrie Kosky production of Anatevka and Olga in Tchaikovsky's Jewgeni Onegin.

Other recent engagements include debuts at the Grand Théâtre de Genève as Oreste in Offenbach´s La Belle Hélène and at the Staatstheater am Gärtnerplatz as Dorabella in Mozart's Cosi fan Tutte. Maria also sang the role of Zweite Magd in Strauss' Daphne and Alto in Wolfgang Rihm’s Jakob Lenz, both at La Monnaie in Brussels, Delia in Rossini's Il Viaggo a Reims at the Dutch National Opera, La Contessa di Ceprano in a concert version of Rigoletto, and Kate Pinkerton in Puccini's Madama Butterfly, both at the Concertgebouw Amsterdam, a program with highlights of Carmen at the Miyazaki International Music Festival in Japan and Susie in Bernstein's A quiet place in a production of Ensemble Modern at the Konzerthaus Berlin and the Dresdner Musikfestspiele. At Opera Holland Park in London she sang the roles of Suzuki in Madama Butterly and Serena in Wolf-Ferrari’s I Gioielli della Madonna.

 



 

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